Hands in the Clay: Why American Men Are Finding Brotherhood in Japanese Art Studios
Walk into a Japanese ceramics workshop or an ikebana class at a community cultural center on a Saturday morning and you might be surprised by who's there. Alongside the longtime practitioners and curious newcomers, you'll increasingly find American men — some in their twenties, some well past retirement — quietly discovering something they didn't know they were looking for. It's not just a hobby. For a lot of them, it's the first place they've ever really felt like they belonged.